Hasidic star Matisyahu saving reggae with new disc
The News Review:
- Hasidic star Matisyahu saving reggae with new disc
- Arts Briefly Buju Banton Shows Canceled After Protests
- Reggae Singer With a Legacy a Following and a Mission
Hasidic star Matisyahu saving reggae with new disc
Reuters
Apart from late reggae pioneer Bob Marley his various offspring and the British band UB40 reggae never gained much traction in the United States. And Hasidic Jews were not exactly noted practitioners. Matisyahu sees himself as a savior of the genre. “Reggae music in a lot of ways got really stagnant” he said. “You see a lot of the reggae bands play today and it’s the same horn patches on keyboards that they’ve been playing for 15 years and not in a retro-cool kind of way. It’s totally nauseating to me. “We’re taking elements of reggae music but totally crossing over into different genres and blending different things.
Arts Briefly Buju Banton Shows Canceled After Protests
New York Times
Banton signed a “reggae compassionate act” in 2007 saying that he would not make homophobic statements in public release new homophobic songs or authorize the re-release of previous homophobic songs. Banton was tried and acquitted on charges that he participated in the beating of six gay men in Jamaica in 2004. Skip to next paragraph Blog.
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Reggae Singer With a Legacy a Following and a Mission
New York Times
Like those singers he possesses an expressive instantly recognizable voice as well as a knack for lyrics and melodies that capture the ups and downs of love and life — a new baby whose parents can’t sleep a husband whose wife’s kisses have gone cold — in a way that is both familiar to his island audience and accessible to the world. He’s also an irrepressibly cheerful personality constantly cracking jokes in patois though he could hardly take his work more seriously. His mission he said in a recent telephone interview from a tour stop in rlando Fla. is to “preserve our culture” by which he means reggae music and the attendant black-empowerment philosophies of Marcus Garvey. After a long season dominated by a musical war between Vybz Kartel and Mavado that has divided those artists’ young fans and a radio ban brought on by a slew of songs about daggering the latest dirty-dancing trend the dancehall sound that has dominated Jamaican music for the past two decades has become increasingly unintelligible to the rest of the world. Without bashing dancehall Mr. Riley is leading a resurgence of traditional roots reggae fortified by a rare blend of wisdom maturity and street cred.
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