Coco Tea to release bama tribute album
The News Review:
- Coco Tea to release bama tribute album
- The Mountain Goats – Music – Review – New York Times
- A taste of classic dancehall music
- Sault Ste. Marie Arts and Entertainment Pages on SooToday.com
- What’s n: Weekday Planner
- Restless after new wave
Coco Tea to release bama tribute album
Jamaica bserver – Mar 20, 2008
The “exposure” Coco Tea believes ought not to go unnoticed. “The government needs to acknowledge it when these things happen because this can help to build our tourism product” Coco Tea says. “This is a big thing for reggae music it mean that Washington is listening and that’s no joke business. “He is also somewhat disgruntled that the American media put the song under the spotlight before the local players. “We as artiste are not getting the recognition we suppose to get it takes a CNN to cough before anything can gwaan yah so” adds Coco Tea sounding mildly irritated. Connecting to ‘Yes We Can’ aside Coco Tea is not worried about the flak he’s already receiving about choosing to share his political affiliation to a foreign senator while seemingly apathetic to the concerns of ‘yard’. “We haffi concern ’bout waah gwaan up deh because what go on there directly affect us here.
The Mountain Goats – Music – Review – New York Times
New York Times – Mar 20, 2008
Darnielle’s career the Mountain Goats’ music has been solid but secondary. He recorded a decade’s worth of albums on low-fi cassette equipment and he needs nothing more than his acoustic guitar and wistful voice to perform most of his songs. Lately though he has been polishing the music along with the words. He moved to studios to record and at Webster Hall he led a trio with Peter Hughes on bass and Jon Wurster on drums… Partway through the set Mr. Darnielle switched to electric guitar. The full-fledged band version of the Mountain Goats gives him a spectrum of dynamics from folk-rock to power trio from resonant ballads to reggae and soul vamps. It doesn’t make his songs slick it makes them more expressive. To the delight of his collegiate audience Mr. Darnielle often writes about outsiders depressives introverts and failures. Before he played “Autoclave” — which says “No emotion that’s worth having could call my heart its home” — he announced “We are a generation that has romanticized self-loathing in the hopes that it will” lead to sex.
A taste of classic dancehall music
Jamaica Gleaner – Mar 20, 2008
Eek-a-Mouse was born Ripton Hylton in Kingston in 1957 and is credited with the singjaying sub-genre of reggae. Hylton got his stage name after a racehorse he always bet on romped to victory the sole time he did not place his bet. The rest is history. The Greensleeves’ Eek-A-Mouse MST WANTED instalment follows the success of other releases such as Wailing Souls Yellowman and Ranking Dread and featured 12 tracks from the artiste at the height of his career in the 1980s. Henry ‘Junjo’ Lawes produced most of the featured tracks with a few by Linval Thompson… “The pace carries through to the Wa-Do-Dem in which the Mouseketeer hails his ‘virgin girl’ and rides much on drum and base the horns taking a break. “We take a walk go a Kingston mall. Whole heap a people jus’ a start to laugh because she too short and a me too tall-Hey-a Wa-Do-Dem?”The prophetic Noah’s Ark is a typical roots offering and bears testimony to his prowess delivering a serious message through music. The experimentation with sound is also evident on the track. The pervasive Roots Radics touch coupled with Lawes’ novel approach made this first collaboration with Eek-A-Mouse quite popular. Risking monotony the same ‘rootsy’ message is carried to Do You Remember. However it almost got a little confusing at the start of the track when the band (members shouting in the background) does a retake and the Mouse clears his throat (with an unmistakable grunt) before re-starting.
Sault Ste. Marie Arts and Entertainment Pages on SooToday.com
SooToday.com – Mar 20, 2008
Staylefish will perform at Loplops Gallery-Lounge 651 Queen Street East on Friday March 21 at 10 p. About Staylefish Staylefish infuses the underlying framework of reggae rhythm with a rock sensibility that crosses over into the mainstream. The six members of the band come from diverse cultural backgrounds and were drawn together by a love of reggae. Their multicultural foundation exemplifies the philosophy of reggae itself: it helps break down the barriers that divide us. Staylefish has created a universal appeal with a powerful body of original work that boasts catchy melodies and intoxicating rhythms. The band has already established themselves with a large following in the Canadian music scene… The band has already established themselves with a large following in the Canadian music scene. Their music embodies a deeply layered sound developed through the use of horns keys guitars drums and multiple vocalists. With their original melodies energetic dubs resonating bass and classic Caribbean rhythm Staylefish weaves an enticing sound that successfully enters the realm of mainstream music. Staylefish has won the 2006 London Music Award and the 2006 Jack Richardson Music Award for Best World Act. Radio Stations such as 102. 1 The Edge and FM96 have played Staylefish songs.
What’s n: Weekday Planner
Toronto Star – Mar 20, 2008
For events on the weekend please see the Night & Day Weekend Listings. 50 at 416-870-8000). Horseshoe Tavern 370 Queen St… Laser Spectacular with the music of Pink Floyd has 3D imagery and three 30-foot screens to highlight new laser technologies. 50-$65 at 905-874-2800).
Restless after new wave
Jerusalem Post – Mar 20, 2008
It’s time for it to die. Some of the electronic dance music and drum&bass experiments were also pretty interesting. therwise there have only been retro mini-explosions young bands coming out that remind me of the late-70s bands” he said. Jackson himself left most of his new wave influence behind following his initial success with albums like Look Sharp and I’m the Man. His musical restlessness found him tackling ska and reggae on Beat Crazy and swing and blues on Joe Jackson’s Jumping Jive as well as jazz and Latin inflections on his 1982 blockbuster Night & Day. ver the next two decades Jackson diverged even more concentrating on movie soundtracks classical compositions and loftier themes than three-minute pop songs… therwise there have only been retro mini-explosions young bands coming out that remind me of the late-70s bands” he said. Jackson himself left most of his new wave influence behind following his initial success with albums like Look Sharp and I’m the Man. His musical restlessness found him tackling ska and reggae on Beat Crazy and swing and blues on Joe Jackson’s Jumping Jive as well as jazz and Latin inflections on his 1982 blockbuster Night & Day. ver the next two decades Jackson diverged even more concentrating on movie soundtracks classical compositions and loftier themes than three-minute pop songs. “I guess I hit a wall somewhere I think it was one big world tour too many” he laughs. ” When I made [1994's] Night Music I wanted it to be gentle and dreamlike not aggressive in your face rock and roll and I think it was misunderstood” he said. “Around that time a lot of people lost interest in me.
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